Marienbad, memory bad,
a masculine voice hypnotizes
a stuttered view, fertile infinitude
of déjà vu: “…always walls,
always corridors, always doors…”
Walls contain a boudoir, her body
flanks siamese photos, hold rooms of
empty people equal in hollow
movement, hangs images of terraces,
a fountain that towers our shadow,
or not, many times we stood, once I
fell, a lapsed sound covers her stare,
a garden with a maze of static
and grey evergreens, bird’s eye views
of ceilings, baroque trim, tilt down to
corridors whether crowded or
vacant lead to doors, to rooms with walls,
contain a boudoir, her body flanks
siamese photos, hold rooms of empty people
equal in hollow movement,
hangs images of terraces,
a fountain that towers our shadow,
or not, many times we stood, once I
fell, a lapsed sound covers her stare, a
garden with a maze of static and
grey evergreens, bird’s eye views of ceilings,
baroque trim, tilt down to confirm
intimate factions the distraction of
doors may pivot or remain rusted
shut, locked, block exit, slide or revolve
entrance, means of access from corridors
whether crowded or vacant lead to doors
to rooms with walls contain a boudoir,
her body flanks siamese photos, hold rooms
of empty people equal in
hollow movement, hangs images
of terraces, a fountain that
towers our shadow, or not, many
times we stood, once I fell, a lapsed sound
covers her stare, a garden with a
maze of static and grey evergreens,
bird’s eye views of ceilings, baroque trim,
tilt down to walls: corridors: doors.
Monday, October 27, 2008
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